New York-based artist embryoroom (Edward Paul Quist) invited me to remix a track for his extended album. Before the release, he did Embryogallery Festival – a two-part online event with audio and video performances by artists that embryoroom also invited for collaboration. PART 1 PART 2

This isn’t a good time for Christmas. In fact, it’s never a good time for Christmas. Therefore in our traditional technoburlesque spirit in the month of December, we’re celebrating with the jubilee 50th Kamizdat release, the compilation FCKXMS.

Presenting new sonic adventure, all tracks were recorded using SOMA Lyra-8 as a sound source.This EP is as turbulent as this year has been. The cover is a detail from an art installation Chinatown (2013, 2020) by Slovenian artist Maruša Meglič (www.instagram.com/marusameglic/). Courtesy of the artist.

Occasionally, and mostly for friends, I do some audio mix/mastering as well. I recently did the mastering for Robertina Šebjanič‘s installation Atlantic Stories: Cetorhinus maximus & Limaria hians.

My friend Tine Vrabič (Nitz) asked me to contribute a track for SENZORAMA radio show on Radio Študent Ljubljana that he curates:  

Sound booklet Steklenik 2018/2019 summarises the sound works presented at Steklenik Gallery, Ljubljana (Gallery for sound, bioacoustics and art). It was released by Cona Institute as a booklet with USB stick, limited to 150 copies. It also features a composition from Sound Disposition / Crystal Gardes installation (with Robertina Šebjanič and Ida Hiršenfelder).